Weekend Warrior 2005 Superlite

word poets: Ida beams

Poetry From the site 2.0 publish an interview with Ida Beam:

What is the "health" of poetry in Italy? And what of the poets?

The general state of health is very bad ... but we are still alive. Poetry is nothing but our world. Critics, gender, rent and all the things that are around the world are after, that even after the disaster. Now, a poet and poetry are words to use with caution ... from me, of course.

When you published your first book and how did you realized it was the right time? How did you choose with whom to publish? What did you expect? What has impressed you and why are you disappointed?

I published the first book of short stories with historical edition Re Nudo, in the late '70s. It was not the right time, it happened. Dreams then were collective. I was probably the dream of many others. No disappointment: I thought you dreamed of living and instead, was certainly the best.

If you were a publisher and what would you change what manterresti Italian publishing poetry? What do they expect the poets from publishers?

If I were a small publisher, though rich, but do not bet the company history. If I were a publisher would put great loss in at least one series per line and unpredictable criteria ... Things are easier said than done ... In fact, no publisher and I speak from poetrice! I am expecting distribution by publishers and care, but also a flash of understanding.

The poetry of the future will always be more comprehensive on the web or will be in the bottom of the top shelf of the great libraries of the shopping centers? What is the greatest advantage of the Internet? And the worst risk?

do not know. At the moment I adjusted. It 's the fastest way. It is made with what is available, there is no choice. I think the real struggle within. I can not even vaguely know what I groped for the formidable half will do me. And yet ... the reed and the oak ... yeah, the reed does not break because it bends. It 's an old story .. But to my house today, not bend have the same effect In Japan a thousand years ago ... The web, the middle ... yes, the means, but in the end boss. The poetry of tomorrow? .. Well!

you think about poetry - and art in general - you can build a critical community, a network more competent and careful, to judge from time to time the value of a cultural product? What should the role of criticism and critical of the poetry and the community to which it is addressed?

More than a community to think of an excommunication '. I think of excommunication where it is not a negation, but indicates some sort of gathering of exiles from confinement, the most unexpected. I think of a magma on the move where everyone can come and go, and tell her, without having to tell where it comes from and where it goes. A place where you do not need a tent ... as it is not only in a PC that I need ... As for the value of the works ... I think the same magma. Take for example the dreaded question "what is contemporary art?" And "Who decides how and when a work is a work of contemporary art? "The demand is endless. It takes at least a life, an infinite and endless series of accessions and joints. Not if he becomes head so easily ... But in the meantime who can ed è capace se la pratichi come vuole quest’arte contemporanea, lasci a suo modo un segno… La critica? In genere non seguo la critica e la critica non segue me. Ognuno fa il suo mestiere. Ma certo anche la scomunità dei critici rivolgendosi alla scomunità dei poeti dovrà darsi altre categorie di pensiero… categorie capaci di rintracciare ancora qualcosa e qualcuno in questa generale dissolvenza del reale.

ll canone è un limite di cui bisognerebbe fare a meno o uno strumento indispensabile? Pensi che nell’attraversamento della tradizione debba prevalere il rispetto delle regole o il loro provocatorio scardinamento?

Ogni scardinamento del canone diventa ben presto canone a sua volta. Questo alla fine può essere utile, sapendolo. Però chi scrive poesia non dovrebbe porsi questo problema.

In un paese come il nostro che ruolo dovrebbe avere un Ministro della Cultura? Quali sono, a tuo avviso, i modi che andrebbero adottati per promuovere la buona Letteratura e, in particolare, la buona poesia?

E che cosa intende per cultura un Ministro della Cultura? E che cos’è un Ministro? E una Ministra? Cos’è una politica della Cultura? E la letteratura che cos’è? Cos’è la buona poesia ? A parte il Ministro o la Ministra, sono cose che sembrano senza fondo, anzi, senza fondi. Il buono e il cattivo governo, cosa sono? E la Scuola di governo, di conseguenza, che cos’è?

Quali sono i fattori che più influiscono – positivamente e negativamente – sull’educazione poetica di una nazione? Dove credi che vi sia più bisogno di agire per una maggiore e migliore diffusione della cultura poetica? Chi dovrebbe farlo e come?

Alla poesia non serve l’educazione, anzi, nasce facilmente tra i maleducati . Sbaglierò ma ho l’impressione che la nascita della poesia non abbia niente a che vedere con la sua diffusione. Personalmente vivo la diffusione della poesia come un festoso e sacrosanto riconoscimento, anche un bit 'funeral ... I live broadcasting of the poem as the final act of' a process of separation: the poetry comes off and goes away, takes off ... so I think ... and of course, the readings and much more are situations where 'poet and poetry' are there still together, but as far as I'm concerned they are already thinking about something else, they're already doing more, are already widespread, in fact ...

The poet is a citizen or a stateless person? What responsibilities does to its audience? What behaviors may be important?

I speak for myself. The poet lives a myriad of worlds as a lonely place placed al centro della sua responsabilità… nel senso che il poeta dà il suo responso. Alla fine però metà responsabilità è di chi scrive, e metà è di chi legge. O ascolta. Sì. Anche chi legge o ascolta deve fare la sua arte. Toh! Ho scritto arte invece che parte. Del resto va meglio così… Responsi, forse… Ma risposte precise, risposte vere e proprie, zero, come adesso, come qui.

Credi più nel valore dell’ispirazione o nella disciplina? Come aspetti che si accenda una scintilla e come la tieni accesa?

Ispirazione, disciplina. Tutte e due. Nessuna delle due. Metà e metà. Dipende. Entriamo nei sistemi complessi. As the living. Working and having to do with the other puts you in the same spark, just that you miss it, you do not realize that even when writing looks like a poet ... But NOT WORK puts you there in the same spark, all the chaos and 'order of which you are a victim, any small system that controls puts you in the same spark and you could, you could ... but it is never enough. There seems to be a leak, a leak somewhere ... find a spark, that's fine, and now you have it what are you doing with this spark? ... Sometimes it takes a moment, and if you do not move, even to yourself if you do not hurry to say something ...

Writing to convey an emotion or idea? The poem has a message, something to ask or something to say?

And here the matter of the message: 'say something' you do not know well what it's always like this, the more we try to say something more stuttering and stammering something in that is lost, but ... in the end we only say with the hidden voice: 'I stammered,' because that is the real thing. 'I'm babbling' here is what I really want to say.

What they think about the people you love poetry? You are forced to split the time more readily devoted to poetry with a job with the poem has very little to do? Find a contradiction in those fortunate enough to write for a living? How do you feel your condition?

For the moment I'm working. Thank goodness. It 's a job that has nothing to do with poetry. Work, what do I have to do, and I am also happy to do so. Sometimes it's good, sometimes it's hard, but is no worse not work ... but this can be understood only by working. From this point of view, ours is a tremendous time. I think the work has a lot to do with poetry ... You are there, and there is something to do, you're in it. Yes, poetry is the work state puro… forse per questo attualmente è senza compenso. Ti richiede attenzione, impegno, misura… Se il poeta non si imponesse da solo qualche catena finirebbe col perdersi nella sua stessa sconfinata libertà. Detto questo non mi piacerebbe affatto scrivere per mestiere, difatti non lo faccio.

Cosa speri per il tuo futuro? E per quello della poesia? Cosa manca e cosa serve alla poesia ed ai poeti oggi?

Il futuro della poesia? Non so cosa dire. Forse in varie e imprevedibili forme accompagnerà il destino imboccato dal mondo. Ma lo accompagnerà a colpi, un po’ spingendo e un po’ frenando… Secondo me, questo è il momento giusto per a stop, but then ...

What Does The Black Jelly Bracelet Ma

Buccilli, Capurro & c. ........... as violating the laws and cause harm to the citizens! Back

                                                                    EXPOSED



This above, is presented to the Regional Prosecutor of the Court of Auditors at the Chamber to the Liguria region court against Mr:

Buccilli Gian-Luca Capurro Mayor

-Mayor Dario

-Bersanetti Stefano Councillor

Franco-Senarega Councillor

-control area manager Paola FONTANELLA Province of Genoa

-GIAMPAOLO Contact Paul Province of Genoa, the Technical Secretariat Office ATO

Roberto BENEDETTI-President and Chief Executive Alberto CORRADI Muvita

-Pres Special Waste Commission of the Province of Genoa.

the first four as mayors and aldermen of the City of Recco, the other members of bodies to monitor and control higher-level, responsible for all matters, held responsible for loss of revenue caused to that municipality and other higher-level institutions, the failure to achieve, in relation to the year 2003 -2010, the percentage of collection prescribed by the regulations applicable ratione temporis; also held responsible for damage to the reputation of the town to restore the image of tourism, trade, environmental and social communities, affected local and resonance detectable oltrecomunale by the appearance of elements of evaluation index / tabular / comparative reported by various press agencies, well as all the corporate websites of free access.

Specifically emerge:

- "a very low rate of collection for the territorial specificities which have an" ecological footprint "(see next paragraph) particularly harmful to the system environment"

- "the damage caused by the differential Failure to achieve the percentages of law "

-" the absence of any kind of project approach the values \u200b\u200bset by the standards established by the inefficiency of the mechanism of collection that would depend on the strategic weaknesses, planning, programmatic and project emerging the model of collection and recycling of waste implemented by the city of Recco himself of politico-administrative leadership. "

-" the lost revenue by way of consideration for the sale of materials collected separately (profit), comparing the income minimum potentially achievable under the law, with revenues actually accrue to the contribution from the industry consortia (through the consortium for the basin) of the material collected separately, compared product fractions to be collected "

-" the largest spending contribution to the ski definitive collection of material which does not differentiate "

-" the greatest burden capita resulting from the action subject of this Complaint "

-" the destruction of the system deployed by the previous administration (mayor Diena) which had reached very high percentages of differentiation and recycling "

-" the defacing of the landscape derived from illegal dumping dispersal in wooded areas with and without control "

-" the defacement of the urban landscape derived from the widespread dispersion near areas used for the collection of undifferentiated RU "

-" the clear and significant presence in the municipal area of \u200b\u200bexercises producers high amount of moisture (restaurants and the like) that weighs more than 38% on the total municipal never directed to the central composting "



; ; The ecological footprint



One of the most troubling aspects of our way of life today is illustrated by the concept of ecological footprint, an index expressed in hectares of land, prepared by William Rees and Mathis Wackernagel, which seeks to quantify the 'impact on the biosphere of a community (city, nation, until the whole of humanity), expressed in terms of land area per capita of biologically productive area required to supply all the energy, water and raw materials consumed and to absorb all waste produced by human activities, both as wastes, such as carbon dioxide resulting from fossil fuel use.

is an index that evolves over time depending on the consumption styles of different societies and nations.

The latest figures available are those relating to the year 2003, published in the "Living Planet Report 2006", published by WWF International, Institute of Zoology in London and Global Footprint Network.

The Ecological Footprint is compared with Biocapacity Earth, always measured in acres, which indicates the actual availability of productive terrestrial ecosystems (agricultural land, pastures, forests, fishing areas) needed to meet human needs.

The consumption of fresh water is not included in the calculation of the Ecological Footprint as the application and use of this resource can not be expressed in terms of global hectares of impact.

In fact, you can also bind to other content items of energy: that which was used for the extraction of raw materials, transport, processing, etc..

This is a higher amount of energy to heat.

So the concept of rational use of energy can also be extended to the system of waste management, by evaluating the energy savings resulting from the waste management model chosen.

It is clear the magnitude of energy savings associated with the non-production waste (100%) e al riutilizzo (~85%), da cui sorge la naturale scelta che un'amministrazione deve imporsi ed imporre al fine di dedicare ampio spazio alla Prevenzione e Riduzione dei Rifiuti Urbani, secondo le linee guida indicate nel paragrafo successivo, in accordo con le indicazioni normative richiamate in seguito.



                                                    The requirements of local



From the website of the province address:

http://www.provincia.genova.it/portal/template/viewTemplate?templateId=tixdmg8zr2_layout_14t3vw8ztc. psml indicates:

\u0026lt;

From the same site, at:

http://www.provincia.genova.it/portal/template/viewTemplate?templateId=uj4iyx9b41_layout_c5aok89b69.psml we obtain:

\u0026lt;

The province participates in the procedures defined by the DGR 7 December 1487 2007 al processo di raccolta ed accertamento dei risultati annuali di raccolta differenziata raggiunta nei Comuni della Provincia.

Infine, la Provincia di Genova ha istituito e gestisce, tramite la società controllata Muvita s.r.l., l’Osservatorio Provinciale dei Rifiuti.
Ancora dal medesimo sito, viene rilasciata la tabella che indica i dati riferibili ai fatti:

http://www.provincia.genova.it/portal/page/categoryItem?contentId=107215->fcoj3g9b56_content_muhp6d9b610

Per comodità di verifica viene qui sotto riportata integralmente l'elenco dei comuni che, alla data del 31-12-2007, avrebbero dovuto attestarsi al 40% di raccolta differenziata:....(omissis)...................
.... City RECCO pop. 10,300 t. x pop. 0.593 t.tot 5166.53 t. diff. 942.61 15.43% percentage

Regarding the aforementioned "Provincial Waste Centre" and to its positive action on the system, this organization seems set to also many other functions because of his transformation from srl "foundation".

Indeed, research on Muvita Ltd indicated by the site of the Province of Genoa (the Province of Genoa has established and manages, through its subsidiary company Muvita Ltd, the Centre Provincial Waste.) There is significant data to the following address:

http://www.provincia.genova.it/portal/template/viewTemplate?templateId=pwc4l3dsm7_layout_abfx30euy1.psml

\u0026lt;

The foundation operates in the "Education", undertake edutainment, training and dissemination activities, including management of the "Science Centre" Arenzano and promote activities of environmental education "business" through specific activities towards the "target companies", "Projects" through initiatives relating to individual themes, which may include the management of the "Door Provincial Renewable Energy and Energy Conservation" on behalf of the Province of Genoa, "Service", carrying out services supporting the activities of third parties. Muvita also manages the "Museo della Lanterna 'and' Auditorium Muvita" the following data:

Endowment Fund: € 120,000 Province Quote: 100%

President and the Administrative Law: Dr. Robert Benedetti

at Via Marconi, 165 to 16,011 Arenzano tel. 010/910001 fax 010 9100119 e-mail

segreteria@muvita.it site: www.muvita.it



; ; The preventive education

's still the province of Genoa. Higher-level body to the town of Recco, which provides information and locations at:

http://www.provincia.genova.it/servlets/resources?contentId=125624&resourceName=Allegato-pdf

pinpointing " PLAN FOR THE PREVENTION AND WASTE REDUCTION IN THE TERRITORY OF THE PROVINCE OF GENOA "reads:

\u0026lt;

True preventive strategy is thus to unify this linear path so as to minimize the recourse to contribution to the collection circuit of the UK and, consequently, the use of new resources for new goods. This is an essential complement to strategies that seek to develop a closed loop with the reuse of waste - or its transformation into secondary raw materials.

The concept of prevention can be applied only at the stage of waste (prevention at source) and the final stage of landfill or incineration (the term minimization is then used). The field of use of waste through its reuse as an integrated product or as a secondary raw material is certainly a better solution than simply disposal, but we must always remember that "the refusal is better than that was not produced. " Prevention at source is that justifies special attention and priority.

The concept of "prevention at source" you can make a distinction in order of importance: you may prefer a "non-production" for the refusal, or opt for his "reduction or partial reduction." We think the purchase of fruit weight than pre-packaged (albeit with eco-friendly packaging), mechanical watches

compared to those with button cells, prevention of in municipal waste tends to approach the policy of "eco products" while also account of the growth Economic towards the consumption of natural resources.

We highlight these issues by putting the eco-consumer and a top priority to develop the consumption of services and products to meet basic needs and

improve the quality of life, while simultaneously restricting the use of resources natural, hazardous substances and pollutants to avoid jeopardizing the satisfaction of the needs of future generations also.

The "dematerialize" or the use of fewer resources, while still having the objective of arriving at the same level of welfare, is part of this logic ecoconsumo.>>



; The reference to general legal



Directive 2008/98/EC of the European Parliament published in the Official Journal of the European Union reiterates its art 11/22/2008. 4 "The waste hierarchy" and defines that "hierarchy is applied as a priority order of law and policy on the prevention and waste management:

the Directive stipulates that the European Commission submitted to Parliament the report with measures to support the prevention and in particular:

a) "before the end of 2011, an interim report on trends in waste production and the scope of waste prevention including the definition of a policy planning ecologica dei prodotti che riduca al contempo la produzione di rifiuti e la presenza di sostanze nocive in essi (…).

b) entro la fine del 2011, la formulazione di un piano d’azione per ulteriori misure di sostegno a livello europeo volte in particolare, a modificare gli attuali modelli di consumo;

c) entro la fine del 2014 la definizione di obiettivi in materia di prevenzione dei rifiuti e di dissociazione per il 2020, basati sulle migliori prassi disponibili (…)”

L’articolo 29 ha per titolo “Programmi di prevenzione dei rifiuti” e prescrive che gli stati membri adottino dei programmi di prevenzione dei rifiuti entro il 12 dicembre 2013 e che tali piani identifichino clearly the measures of waste prevention. These plans should set targets and to this fact, the Directive provides a framework that can be attached as an example. The directive is clear that "The purpose of these objectives and measures is to decouple economic growth from environmental impacts associated with the generation of waste."

Article 29 paragraph 5, the Directive stipulates that "The commission shall create a system for the information exchange on best practices on waste prevention and develop guidelines to assist Member States in preparing programs. "



Le precedenti direttive.

Nelle precedenti direttive gli orientamenti erano analoghi, però la definizione di “prevenzione” non era molto precisa, se non per quanto riguarda gli imballaggi (ai sensi della Direttiva europea 1994/62 recepita prima dal Dlgs 22/97 e poi dal Dlgs 152/061).

Nelle direttive precedenti venivano definite le priorità e gli obiettivi della politica ambientale europea fino al 2050 descrivendo in modo particolareggiato i provvedimenti da adottare per contribuire alla realizzazione della strategia europea in materia di sviluppo sostenibile.

Il ruolo della Unione Europea è quindi quello di contribuire alla prevenzione dei rifiuti e di promuovere il riciclaggio informing consumers, by supporting research and technological development of new materials to promote environmental protection and the means to deliver products using fewer resources.>> embankment then



:

-that Community law ( following the Treaty of Lisbon, or European Union law) requires Member States to take all necessary measures "to ensure that waste is recovered or disposed of without endangering human health and without using processes or methods that could harm the environment " and" to prohibit the abandonment, dumping or uncontrolled disposal of waste (Article 4 of Council Directive of 18 March 1991 No. 91/156/EEC), which

-service waste management involves "the collection, transport, recovery and disposal of waste, including the supervision of such operations "(Article 1 dir. 91/156/EEC, cited above);

-that" Member States shall establish or designate the authority or authorities competent to implement the provisions of this Directive ( art. 6 dir. 91/156/EEC, cited above);

-that the "competent authorities referred to in art. 6 should develop [...] one or more waste management plans, covering [...] the type, quantity and origin of waste to be recovered or disposed "(art. 7, dir. 91/156/EEC, cited above);

-Annex II to Directive 91/156/EEC, cited above, indicates recovery operations, in accordance with Art. 4, must take place " without endangering human health and without using processes or methods which could harm the environment "

Also:

-the deadline for transposition of Directive 91/156 / EEC, cited above, expired April 10, 1993 (Article 2, 91/156/EEC, cited above);

-that in the administrative head of the junta in Diena (formerly citata), dunque anteriore alle due aventi sindaco Buccilli ed alla attuale avente sindaco Capurro, il valore di differenziata raggiunto era estremamente alto e di molto superiore all'attuale;

-che l’art. 24 del d.lgs. 5 febbraio 1997, n. 22 (c.d. “decreto Ronchi”), ha imposto ai Comuni (enti titolari dei poteri in materia di raccolta differenziata ai sensi dei precedenti art. 21, comma 2, lett. c), e 23, comma 3, del predetto decreto) di conseguire percentuali minime di raccolta differenziata fissate in percentuali progressivamente crescenti fino a raggiungere quella del 35% a partire dal 2003 (il menzionato art. 24 statuisce che “In ogni ambito territoriale ottimale deve essere assicurata una raccolta differenziata municipal waste equivalent to the following minimum percentages of waste: 15% within two years from the date of entry into force of this Decree and 25% within four years from the date of entry into force of this decree, 35% from the sixth year after the date of entry into force of this decree ");

-the art. 205 of Legislative Decree no. April 3, 2006, No 152, caused an increase in the percentage shares to be realized in subsequent years (the first paragraph provides that "In any geographical area should be ensured optimal sorting of waste equivalent to the following minimum percentages of waste: the least-

Thirty-five percent by December 31, 2006;
-
least forty-five percent by December 31, 2008;

- least sixty-five percent later than December 31, 2012), further revised percentages art. 1, paragraph 1108, of 27 December 2009, n. 296 ("In order to achieve significant cost savings and a more efficient utilization of financial resources for the management of municipal solid waste, the region, after formal notice, it can provide through an acta commissioner to ensure government-wide waste management water distribution in relation to those areas within which local optimum is not assured separate collection of waste equivalent to the following minimum percentages:

-at least 40 percent by December 31, 2007;

- at least 50 percent by December 31, 2009 ;

-at least 60 percent by December 31, 2011);

- these provisions should be recognized that the effective binding preceptive since:

they ensure the principle of prevention, precaution and preventive action is widely recognized in environmental matters by the Court of guidelines on justice pronunciatasi waste (inter plures C. Giusti., 11 November 2004, C-457/02, Niselli that "the aim of Directive 75/442 [...] is the protection of human health and the environment against the adverse effects of collecting, transporting, processing, storage and waste " to be implemented "in the light of Article. 174, No 2 EC, which states that Community policy on the environment at a high level of protection and is based in particular on the principles of precaution and preventive action (see, inter alia, 18 April 2002, Case C- 9 / 00, Palin Granit and Vehmassalon kansanterveystyön kuntayhtymän hallitus ECR. I-3533, 'the ruling Palin Granit», punti 22 e 23)”; sui principi di precauzione e prevenzione in materia ambientale, più di recente, C. giust., 9 marzo 2010, C-379/08 e 380/08, Raffinerie mediterranee); si attuano numerose direttive in materia di rifiuti che hanno imposto agli Stati membri di porre in essere tutte le misure idonee ad implementare un’efficace gestione dei rifiuti tesa essenzialmente alla protezione della salute umana e dell’ambiente, favorendo il recupero dei rifiuti e l’utilizzazione dei materiali di recupero come materie prime per preservare le risorse naturali nonché provvedendo in modo responsabile allo smaltimento ed al recupero dei rifiuti (dir. 75/442/CEE, come modificata ed integrata dalle dir. 91/156/CEE, dir. 91/692/CEE, dir. 96/350/CEE, poi consolidate nella direttiva 5 aprile 2006, n. 12/2006/CE, la quale ha ribadito nuovamente gli obblighi europei di procedere al “recupero dei rifiuti mediante riciclo, reimpiego, riutilizzo o ogni altra azione intesa a ottenere materie prime secondarie” art. 3, par. 1, lett. b), nonché ad “assicurare che i rifiuti siano recuperati senza pericolo”, art. 4); la Corte di giustizia, pronunciandosi all’esito di una procedura di infrazione (C. giust., sent. 4 marzo 2010, C-297/08, Commissione c. Italia), ha già riconosciuto che l’Italia è venuta meno agli obblighi di diritto comunitario su di essa incombenti, nella parte in cui non ha adottato, “misure necessarie per assicurare che i rifiuti siano recuperati o smaltiti senza pericolo per la salute dell’uomo e senza recare pregiudizio all’ambiente” (così il dispositivo di condanna), inadempimento che è stato determinato anche dal basso livello di raccolta differenziata; come riconosciuto dalla giurisprudenza costituzionale, compete allo Stato, anche all’indomani della riforma del Titolo V della Costituzione, fissare un livello di tutela ambientale uniforme a livello nazionale ed inderogabile da parte delle Autonomie (“La disciplina statale dei rifiuti, collocandosi nell’ambito della “tutela dell’ambiente e dell’ecosistema” – di competenza esclusiva statale ai sensi dell’art. 117, secondo comma, lettera s), Cost. – costituisce, anche in attuazione degli obblighi comunitari, un livello di tutela uniforme e si impone sull’intero territorio nazionale, come un limite alla disciplina che le Regioni e le Province autonome dettano in altre materie di loro competenza, per evitare che esse deroghino al livello di tutela ambientale stabilito dallo Stato, ovvero lo peggiorino (sentenze n. 62 del 2008 e n. 378 del 2007). Resta, peraltro, ferma la competenza delle Regioni per la cura di interessi funzionalmente collegati con quelli propriamente ambientali: infatti, anche nel settore dei rifiuti, accanto ad interessi inerenti in via primaria alla tutela dell’ambiente, vengono in rilievo altre materie, state for which the jurisdiction does not preclude the concomitant possibility for regions to act, obviously respecting the uniform levels of protection provided by the State (most recently, Case No. 249 of 2009), "C. cost., December 4, 2009, No 314, paragraph 2.2.) Domestic legislation be interpreted in the light of Community law to ensure the so-called "effectiveness" (C. right., 5 February 1963, C-26/62, Van Gend en Loos); in this regard can not fail to point out that EU law legislation imposes an obligation on the part of states to implement collection systems with recovery of recyclables, not contemplate or authorize systems, such as the national one, founded shares on progressive approach to the full extent of the waste produced in the territory, that that can not be concluded that at least the percentage shares set by the national legislature have an immediate prescriptive value, both to protect the environment and public health (on the instrumentality system of collection, disposal and recycling to the protection of those interests C. Giusti., sent. March 4, 2010, C-297/08, Commission v. Italy), both in the interests of taxpaying citizens (think of that paragraph Article 3. Leg 205. April 3, 2006, No. 152, having set the first paragraph of the shares of the annual collection, introduces an additional burden to local communities municipal which is attributable to the deviation, "Where in water distribution are not met the minimum goals set out in this Article shall apply an additional twenty percent of the charge transfer of a load of waste to landfill ' Area Authorities created by Article 3, paragraph 24 of the Law of 28 December 1995, n. 549, which distributes the burden among those municipalities in its territory who have not reached the percentages referred to in paragraph 1 based on the collection of fees achieved in individual municipalities ") that the powers of the order of the Special Commissioner (possibly responsible) can not determine a level of protection of those interests lower than the national legislation implementing Community law, legitimizing the collection rate levels lower than those established by national legislation (such interpretation is in sharp contrast to outline the goals and objectives that govern the establishment, exercise the powers and commissarial use of resources and, above all, with the Community law, such that, any provision that describes the content presented or produced called the reductive effect should be disregarded).



Conclusion dell'esposto



As the narrative that precedes it becomes necessary to acquire

- official information and data relating to the collection within the territory of the town of Recco from 1999 to 2009, information which has to have regard both to the overall figure of that collection, both referring to that specific segment of the wet fraction representing a share dominant.


- information and official data on the profitability of the collection of the different fractions, and a reasonable estimate of the likely revenue gains from the above collection to the final calculation of damages.

- all acts of investigation, preliminary and deliberations of the council and the board of the City of Recco, thesis the organization of waste collection service (with specific reference to that of the wet fraction) occurred through the different companies delegated to the service, specifically with regard to those contemplating the obligations of the same reach of the shares of recycling required by law.

Considering

- that art. 206-bis of Legislative Decree. April 3, 2006, No 152, establishes the National Waste Department of the Environment and the protection of land and sea, equipped with information functions, coordination and supervision in the field of waste collection, recycling and waste disposal;

- that, as it no longer cd "Sindacatorio power" lies with the prosecution to determine whether to extend the action of loss of revenue, experienced the bodies with responsibilities of initiative, drive and draft, but the City Council and therefore all the directors, because the final decision-making powers organ on the organization of public services, local art. 42 Leg. August 18, 2000, No 267 (the matter was already covered by art. 32 Lett. A) and f) Law of 8 June 1990, n. 142, which, for present purposes, the powers entrusted to the Council on the establishment of special agencies including the approval of the relevant statutes), subject to the freedom of final assessment of Requested the Court to recognize the significance commissi activity or omission of the Council. Viewed

again

- art. 14 rd August 13, 1933, No 1038, under which the Court of Auditors may request the administration and order the parties to produce documents and documents that he believes necessary for the resolution of the dispute, the period within which compliance instructors must be carried out;

- art. 16, paragraph 3, dl May 13, 1991, No 152, conv. into law July 12, 1991, No 203, which provides that "The Court of Auditors in the exercise of its powers may, even by the Guardia di Finanza, inspections and investigations directed at the government and third-party contractors or recipients of financial providence for specific purposes;

- art. 2, paragraph 4, dl November 15, 1993, No 453, conv. into law January 14, 1994, No 19, laying down rules on jurisdiction and control of the Court of Auditors, which states that "the Court of Auditors, for the exercise of its powers, obligations instructors may also delegate to government officials and make use of expert witnesses in relation the provisions of Article 73 of Legislative Decree 28 July 1989, No 271 ";



Association member, requires the prosecutor addressed this exposed the initiation of a procedure to define the loss of revenue that appalesa be of significant value, (because of a high differential) and the apparent continuation of that loss, in the years to follow, for the aforementioned lack of effort to implement an effective waste management aimed primarily at protecting human health and the environment, promoting the recovery of waste and the use of recycled materials as raw materials to conserve natural resources, as required by the rules, ensuring:

-cited over the years if the council has imposed on various companies responsible for a clear, specific and accurate in order to achieve the percentage of recycling required by law;

-if the same company has been indicated in a particular location is particularly aimed at implementing significant fraction moist

-if the measures have been prepared for the organization of separate collection of waste (including where the acts of inquiry, preliminary expectations and deliberative constitution and the contracted companies, specifically with regard to those contemplating the technical-legal (terms of service contract, administrative or service, other similar acts, etc..) which is been imposed, the municipal administrative structure required to meet quotas collection rates differenziata sancite dalla legge.



ORAS

f.to il coordinatore

Erolgine Tanning Bed Weight Limits

UNATORREDIBABELE. New Blog for Translation, edited by Dafina Prifti and Kamala Gravagna

For translators: new blog useful to expand in the maze of unatorredibabele:

http://www.unatorredibabele.blogspot.com/




Useful links for translators

Being a good translator is not as easy as it sounds. Do not you just know a foreign language perfectly and have an absolute mastery of his own but it is also important awareness that they can not control everything. It is therefore necessary to continuously improve both linguistic and cultural be well prepared for their field of interest and still have a window open to new things.
But nothing alarming. This does not mean that it is impossible to run a professional translation. Surely today the translator less effort than in the past, when the absence of forcing professionals to browse the Internet all the time encyclopaedias and dictionaries one after another, perhaps because it was not the right expression at the right time.
In fact today we have at hand such as dictionaries and encyclopedias Treccani portal sites as well as easy access and http://www.wordreference.com http://oxfordparavia.it. And in a few clicks standard English is in your mani. E se invece avete da tradurre un’espressione caratteristica oppure una parola o una combinazione di parole di cui non riuscite a captare il senso poiché probabilmente si tratta di una lingua substandard allora possono esservi di aiuto www.thefreedictionary.com o www.urbandictionary.com.
Invece per quanto riguarda il francese a parte i dizionari Garzanti, Larousse, Zanicchelli, se vi scontrate con un testo abbastanza specifico con terminologie professionali di difficile comprensione potrete utilizzare un portale europeo che tratta proprio della traduzione di termini specifici o linguaggi settoriali http://iate.europa.eu/iatediff/switchLang.do?success=mainPage&lang=it.
Come vedete i mezzi a nostra disposizione non mancano. A parte i vari dizionari possiamo verificare quasi ogni dubbio tramite ricerche trasversali su internet. Ma non possiamo certo risolvere granché se ci affidiamo a http://translate.google.it e ad altri programmi simili dove a tradurre è una macchina-glossario fatta a somiglianza del cervello umano ma ancora e per fortuna lontanissima da esso. Nessun vocabolario può captare e restituire da solo l’ironia, l’umorismo, la poesia e la complessità dell’azione presenti nella lingua umana.
Perciò serviamo noi, conoscitori delle lingue che scrutano attraverso le parole il comportamento, il senso esatto e quale soddisfazione più grande che trasmettere il vero significato e rendere tutti, così diversi in apparenza, un’unica grande comunità.

Dafina Prifti

Milena Velba Big Natural

John Cabot University, October 13, 2010

Maria Luisa Spaziani (a destra Anna Cascella Luciani)

Anna Cascella Luciani

Dacia Maraini

Silvia Bre

Moira Egan translated by Damiano Abeni

The public

How Much Room Needed Between Tables At Reception

Ciò che si usa chiamare........"una notizia che si commenta da sola"!!!!!


Dal secolo xix di oggi 24/10 pag 11


DOPO I TAGLI DECISI DAL GOVERNO: « Niente fondi alle imprese i soldi andranno ai poveri »

La scelta di Burlando:

<< 20milioni dirottati sui servizi sociali >>

ALESSANDRA CONSTANT

GENOA. Way funds for companies. This is the first card to fall in domino Ligurian savings and cuts triggered by the government with the maneuver that cuts in Liguria Tremonti 150milioni and national level about 4 billion euro. "We have the top of our social ladder, then the support for the home and then the local public transport," he warned yesterday the President of the Liguria Region, Claudio Burlando. Basically it means two things: the first is that the budget for 2011 will disappear the € 20 million (partly passed through the mechanisms of the Bassanini Law), which represent one-seventh of the cuts in Liguria, intended to fund Industry, craft, trade, special projects and Civ, and the second is that under investment in next year's budget will amount to mail to zero.a unless the government does not unlock the Fas (Funds for underdeveloped areas), € 340 million from 2009 that are the signature of the government and that of Liguria are still unknown:


"I would be enough power to 100 million € to take off the projects that are ready, "he said yesterday Burlando. "We should not be leaguers to see that the South has EUR 100 billion of investments, including Fas and old European funds, which have not been spent on disability, while the North has spent on them is blocked by the government, "he added. Monday Burlando and the assessors will review each budget item to delete all the unnecessary expenses or that in times of austerity Liguria can no longer afford. As the financing of € 170 thousand (compared to 220, but in 2010 the figure had been cut) for the Festival of Sanremo, the two-thirds of the contributions to regional initiatives (from 300 thousand a100milaeuro), writing off expenses for meetings, the quota of visits, the cancellation of the provision for security. Also provided a block even stronger assumptions, the reduction of funds for environment and tourism. "We need to reshape the institution. The operation of government will have a very violent social, economic, but also very violent "continued the president, who hopes to be able to hold the funds for the social and the long-term care (the latter, which provided for Liguria 14.5 million, was canceled), home (help with rent) and the charge for local public transport. Uncertainties about the cuts and then on the budget (which begins its course around the board in November 22) are still a lot. The first concerns the cuts in social spending: it is not clear whether they fall into the 4 billion already announced or are more and the second is on the TPL. Tremonti was forced to say that the trasporto ferroviario ci avrebbe pensato il governo, ma per il momento l’unica apertura si trova nell’articolo della finanziaria che dice che i fondi Fas si potranno usare per ripianare i debiti della sanità (retromarcia rispetto alle polemiche estive con le regioni del Sud), per gli investimenti nella sanità e per il Tpl. Le aziende di trasporto liguri ci sperano,ma la Regione non sembra orientata su questa linea.


costante@ilsecoloxix.it


se questo è un "governatore"....................................................

I Stoppe Taking Ramipril

Care poet

I wanted to greet you and thank you all for the beauty of the ride in recent days.

Today, returned from Rome, I wrote that I dedicate this poem (apparently live among women of all ages has inspired me!).

LUNA

Hello Moon're sweet, spotted, moving:

candy, small cow, slice of onion transparent.

let us sleep on!, Give us the dream and the salvation

Il tuo raggio è puro latte, è oblativa tenerezza.

Tu, Luna, che contieni tutti i sogni che sogniamo,

e gli strati di illusioni e i calzini che perdiamo

lavali per noi, nei tuoi crateri, al posto nostro

noi qui giù li muteremo un po’ in sangue, un po’ in inchiostro.

Bianca Luna che ci nutri con l’albume del tuo pianto

and let us grow old without losing the charm.

Moon Knight, traveling in the sky

with the word-thought-sword and shield.

Cat moon disappear into the night licorice

that leaves us with the lone star baby-sitter

not want to be afraid of our darkness:

there in your absence is the only truth.

Star Wars A Wing Pinewood Derby

Poetry is priceless when it is not for sale! Clipboard

A facsimile in PDF Çengel of Jonida Prifti (illustrations by Cosimo Budetta Editions Ogopogo 2008, the Foundation), can be downloaded by following this link: www.megaupload.com/?d=H1KV6S2P

Engagement Invitation Example

the third day: the biographies

Travolta (happy overwhelmed) by meetings and lectures and plays and findings, we realized just now that we had not yet gone live with the short biographical notes of all authors participating in 2010 romapoesia poetic. Here they are, finally:

CRISTINA ALI FARAH - Born in 1973 a Verona da padre somalo e madre italiana, ha vissuto fino al 1991 in Somalia, da dove è fuggita a causa della guerra civile. Dal 1997 vive a Roma. Dal 2008 segue per la Fondazione Lettera 27 un progetto di ricerca sulla memoria coloniale e i richiedenti asilo somali in Italia. Insegna lingua e letteratura somala all'Università degli Studi di Roma Tre. Suoi racconti e poesie pubblicati su riviste e antologie (Ai confini del verso, Le lettere 2006). Nel 2007 è uscito il suo primo romanzo, Madre piccola (Frassinelli; Premio Vittorini 2008).

ANNELISA ALLEVA - Poetessa, traduttrice e saggista, è nata nel 1956 a Roma, dove vive. Ha pubblicato le raccolte di poesia: Mesi (1996), Chi varca questa porta (1998), Lettera in forma di sonetto (1998), Astri e sassi (1999), Aria di cerimonia (2000), L’oro ereditato (2001, finalista al Premio Viareggio), Istinto e spettri (2003, finalista al Premio Viareggio, al Premio San Pellegrino, al Premio Orta), due poesie con il Pulcinoelefante nel 2009 e La casa rotta (Jaca Book, Milano 2010 premio Sandro Penna 2010). Ha tenuto numerose letture di poesia in Italia e all’estero.

ANTONELLA ANEDDA - Nata a Roma nel 1955, ha insegnato presso l'Università di Siena e il Master dell'Università di Lugano. I suoi libri di poesia da Residenze invernali a Notti di pace occidentale, dal Catalogo della gioia a Dal balcone del corpo (Mondadori, 2007), hanno ottenuto numerosi premi. Le sue traduzioni e variazioni da diversi poeti come Emily Bronte a Philippe Jaccottet sono raccolte nel volume Nomi distanti (Empiria). Tra i libri di saggi di arte e letteratura: La luce delle cose (Feltrinelli, 2000) e La vita dei dettagli (Donzelli 2009). La sua opera è tradotta in molte lingue, recentissima la pubblicazione di Dal balcone del corpo per la Roland Hoffmann Litteraturverlag.

CRISTINA ANNINO - Nata ad Arezzo, vive e lavora a Roma. Tradotta in svariate lingue estere, si è allontanata, per ragioni personali, dal mondo letterario nei periodi 1970-80 e 1987-2000, perciò la sua produzione più importante riguarda gli anni fino al 1970, quindi quelli compresi tra il 1980 e il 1987, che includono L’Udito Chronic, in New Italian Poets (Einaudi, 1984), Madrid (Body 10, 1987, winner of the Russian-Pozzale). Finally, the collections published after 2000: Twin Carnivore (Faenza, 2002); House of Aquila (Bari, 2008), Magnificat (Novi Ligure, 2009), winner of the prize ex aequo Lorenzo Montano 2010.

BRUNELLA ANTOMARINI - teaches contemporary aesthetics and philosophy at John Cabot University in Rome. His research focuses on contemporary philosophy of knowledge, especially using the practice of art - poetry and visual arts - as a cognitive model. Among his recent publications, the perception of form in the aesthetics of Hans Urs von Balthasar (Aesthetica Edizioni, 2004) The error and the master. For a secular reading of the Gospels (DeriveApprodi, 2005), Thinking with error (Code, 2008).

Danielle Attanasio - a poet and cultural curator, born in Rome, has published books of poetry: The care of things under the sun (Writers' Union Prize Dario Bellezza and Italians), and that of others of my love (Premio Camaiore) All with the publisher Empire. His fourth book, The Return of the island, is being printed by the publisher Aragno. His poems are in the 'Almanac of the Mirror "Mondadori 2009. Since 2007 he edited the collection of poetry and theater Teramopoesia. He works with newspapers and literary magazines.

CECILIA BELLO MINCIACCHI - simultaneously and literary criticism, he collaborates with several magazines of literature. He has published studies on Ungaretti, Marinetti, Manganelli, Niccolai, Door, Volponi, Sanguineti. Emilio Villa took care of the Zodiac (Empire, 2000), and Proverbs and the Song. Translations from the Bible (Bibliopolis, 2004). He has edited: Spiral + snake charming sweetness. Futurist writers (Bibliopolis, 2007); Vicinelli Patrick, do not always remember (Letters, 2009), and, with other critics, the word plural. Sixty-four Italian poets of two centuries (Sossella, 2005).

MARIELLA Bettarini - Born in 1942 in Florence, in 1973 he founded and directed "barring unforeseen circumstances", which in 1993 took the title of "The Broca's area." With Gabriella Maleti by Edizioni Gazebo. Since the sixties, he worked on more than 150 magazines. He has published thirty books of poetry, some fiction and nonfiction, as well as various critical perspectives. He edited The Book of Alice (Polistampa, 1996, Rizzoli, 1997). In 2008 by Edizioni Gazebo came out in words - in pictures (Poems 1963-2007). On his poetry were discussed two theses.

Elisa Biagini - poet, translator and teacher, lives in Italy after having studied and taught in the United States for several years. His poems have been lifted for many magazines and anthologies Italian, American and beyond. He has published six collections of poetry, some bilingual, including The Guest (Einaudi, 2004), Fiat, words to music (Edizioni d'if, 2006) and Nel Bosco (Einaudi, 2007). Translations of American poetry, edited the book New American poets (Einaudi, 2006). He teaches Creative Writing, Literature and Art History in Italy and abroad.

TOMASO BINGO - Born in Salerno in 1931, lives and works in Rome. In art has assumed male name with unsettling irony to challenge the privileges of the world of men. It deals with the 70-Word Writing Poetry and visual phonetic-Sonora-Perform. Activities organized sprinkler heads, since 1974 director of the cultural center Lavatoio default. Among his latest publications: Reflections in the mirror (Ogopogo, 2008), Sense and Sense (Granaroli, 2009); To give the Berto, (with engraving by A. Merini Pulcinoelefante, 2009); Value Vaginal preface Dorfles (Tracks, 2009), Feronia First Prize for poetry (2010). It 'been a professor of Mass Media at the Academy of Fine Arts

SILVIA BRE - Poet and translator, has published, among other things, the poetry collection The rest (Rotundo 1990), the translation of the Canzoniere of Louise Labé (Oscar Classici Mondadori 2000), The Mysterious Barricades (Einaudi 2001, Montale Prize 2001), the tragic poem always forgiveness (Knight Bus, 2006, award Lorenzo Montano), Marble (Einaudi, 2007, Mondello Prize, Viareggio prize, Nobel prize pens Frascati 2007 ). In 2011 released Einaudi his translation of one hundred poems by Emily Dickinson.

EDITH BRUCK - Born into a poor Jewish family and numerous Hungarian, in 1944, little more than a child, was deported to Auschwitz, Dachau, Bergen-Belsen. Survived the concentration camps, arrived in Italy in 1954, adopting the Italian as the language of writing. In 1959 he released Who loves you so, and since then unfolds Bruck an intense storyteller, poet (The tattoo, in defense of his father, Monologue), playwright, director and journalist. Latest publications, Garzanti: How many stars in the sky (2009), Private (2010, winner of DH Lawrence). The central theme of his award-winning production is the pluritradotta testimonianza in prima persona della Shoah.

ANTONELLA BUKOVAZ - Nata a Cividale del Friuli nel 1963, è originaria di Topolò-Topolove, borgo sul confine italo-sloveno. Le prime poesie sono confluite in Tatuaggi (Lietocolle, 2006). Dal 2005 si dedica prevalentemente alla poesia e all’interazione tra parola, suono e immagine in forma di lettura, videopoesia e video-audio-installazione. Nel 2008 ha scritto Storia di una donna che guarda al dissolversi di un paesaggio (Premio Antonio Delfini 2009). Per il teatro ha scritto il poema breve Maipiù-Nikolivec. Collabora alla realizzazione di Stazione di Topolò / Postaja Topolove.

MARIA GRAZIA CALANDRONE - Nata nel 1964, poetessa. Tra i suoi libri: Pietra di paragone (Tracks, 1998), The monkey wandering (Crocetti, 2003), as by a bridle burning (Atelier, 2005), the responsible engineer (Crocetti, 2007) and on everyone's lips (Crocetti, 2010). He writes for the theater, is the author and presenter for Radio 3 and care for the magazine International Construction Poetry "Poetry." Is' translated in Europe and America. Bring to the scene videoconcert without luggage.

CLELIA MARIA CARDONA - Narrator, translator, poet, lives in Rome. Among the works of fiction, the other half of the demon (Marsilio, 1998) The black hat (Marsilio, 2000) Fury of the devil (Avagliano, 2008). Among the collections of poetry, The wine of the leave (Amadeus, 1994); From one millennium to another (Empire, 2004). Of translation: Yves Bonnefoy, the water escapes (Piazzolla Foundation, 1998) Carmina Burana (Bloomsbury Publishing, 1995). Among the nonfiction works The history of the holiday (Spruce, 1994), and work on the classical world.

CASCELLA LUCIANI ANNA - Born in Rome in 1941, published in The New Poets Italian cravings, 1 (Einaudi, 1980); Treasury from nothing (Scheiwiller, 1990), Laura Noble Prize, an award Mondello, small field (of Printing ' Orange, 1996), winner Sandro Penna, Elsa Morante Prize; Simple (The Burin, 2002). Numerous editions of art of poetry (including Migration / mirror, kites, 2008), which led to the exhibition, curated by Fabio Guindani, Vallicelliana Library of Rome. In 2008 he received the award for poetry Cardarelli-Tarquinia. For Publisher Gaff are outgoing Complete Poems (1973-2009).

ELENA CHURCH - Imagine being a poet ... published in 2009, the small collection I do not write poems, images only (Ed. Il Filo). Produce videopoems pictorial texts on his and other contemporary poets.

ELENA Clementelli - Born in Rome in 1923, poet and scholar of Anglo-American and Hispanic literature, has published several collections of poetry, including The Sea Inside (1957), this entry to us (1962, with a preface by Aldo Palazzeschi) The short light (1969), so to speak onesto (1977), Vasi a Samo (1983), Il conto (1998) e Poesie d’amore (2007). Ha tradotto numerosi poeti e prosatori di lingua spagnola, tra cui Benito Pérez Galdós, Alejo Carpentier, Silvina Ocampo, Blas de Otero, Ernesto “Che” Guevara , e ha curato tutta l’opera teatrale di Federico García Lorca.

GERALDINA COLOTTI - Nata a Ventimiglia, vive a Roma. Giornalista del quotidiano "il manifesto", cura l’edizione italiana di "Le Monde diplomatique". Ha scontato una lunga condanna in carcere per aver militato nelle Brigate rosse. Ha scritto racconti, poesie, romanzi per ragazzi, testi comici. Con Marie-José Hoyet ha tradotto dal francese Tutto-Mondo, di Ėdouard Glissant (Edizioni Lavoro, 2009). Among his latest books, certificate of existence (Simon and Schuster, 2005), and The guard is tired (Cathedral Editions, 2010).

TIZIANA COLUSSO - comparatist, board member of the European Writers' Council (Brussels). Director of 'FORMAFLUENS - International Literary Magazine. " Books: The language langue, an anthology of his writings translated into 12 languages, pref. Jean Charles Vegliante (Eurolinguistica 2009), Sanskrit of the body (Brew 2007), Italian for foreign (Publisher Fabio D'Ambrosio, 2004) The criminal is me - what was to flow back (ARLEM 2002), The third side of the river, (Footprints of Birds 2003); Neither smooth nor clean (ARLEM 2000), The Land of Footprints, (Edizioni Intercultural 1999).

VILMA COSTANTINI - Born in Florence, poet, sinologist and journalist, wrote for several newspapers and numerous literary journals. He translated from Chinese classical and modern jade cups, Anthology of Classical Chinese Poetry (1985, UTET. His essays on China: Socialism in China before Mao (1980, La Pietra), Beijing, capital of a biography (2008 , Editori Riuniti-University Press). His books of poetry: In the form of word (1987, Rossi and Hope), The foreign body (1989, Vanni Scheiwiller) and, by Edizioni footprints of Birds: The book of the meetings (1999 ), Reverse Path (2001), the umbrella of Livingstone (2005), Gemini-Gemini (2009).

CRISPINO ANNA MARIA - cultural journalist and editorial consultant, he founded and directed "Legendary. Languages \u200b\u200bReading Books. " For the publishing house by Iacobelli necklaces "Workshop" and "Fragments of Memory." He has published essays, translations, and is the curator of some texts of the philosopher Rosi Braidotti (Mothers monsters and machines, manifestolibri 2005; New nomadic subjects, Sossella 2008). He edited the publication (2006, 2008) the texts of the exhibition "Biennale International Theatre of Women": Among her latest publications, Edited by Fathers. Three Italian-American memoir (Iacobelli, 2009).

SARA DAVIDOVICS - Born in Rome in 1981, is a poet, performer and artist. Since 2003, conducts research on vocal and textual intercode. In 2006 he founded with Lorenzo During DUAL Lab Ensemble. From 2009 he directed the series with Ivan Schiavone EX [T] COVERED (Editions PoliMi). Winner (2010) Prize for Literature Online 'Networks of Dedalus. " Among his publications: Current (Zone, 2006), On the Water (2007, Anthony Award finalist in the Dolphins), cortical (Onyx, 2010). Among his artist's books: parolibere Postal (2009), Klessidra (2010), Butterfly (2010).

ELISA DAVOGLIO - Born in 1976 in Livorno, lives in Rome. In poetry anthology published in 2006, the oil burning (Giulio Perrone Editore), in 2007 the plaquette poetry Consequentiarius for Chelsea Editions / Library Publishing Padua, in 2010 editions of The Green Room collection The rim of Galois. In 2008 he published by Mondadori, Blue Necklace Road, the novel Honour to the ban. His texts of poetry and prose have appeared in various Italian and foreign magazines.

MOIRA EGAN - Born in Baltimore (USA), studied at Bryn Mawr College, the John Hopkins University and Columbia University, where he gave the James Merrill's David Craig Austin Prize. His work has appeared in many U.S. magazines and several anthologies, including Best American Poetry 2008, and in translation on "New Topics "and" The Stranger. " His books have Cleave (2004), The Silk Tie / The Silk of the Tie (The Oblique Editions, 2009); Bar Napkin Sonnets (2009), SPIN (2010).

Francesco Farina - Born in Sardinia, living in Rome. Poet, novelist, literary critic. His diaries, winning several times, now amounted to seventy books. Collaborated since 1986 as a literary critic for the journal Literary Experience, "University of Rome for many years organized the Marathon of the poets, Leopardi's Day and the island of poets. He has published collections Framas (Angelo Mastria Service, Rome 1998); Metamophòseon (Associate Editor, Rome 2007); Tragoedia (Zone Publishing, 2008); Fleurs (Signum Edizioni d'Arte, Bergamo, 2009). It 'going to be published his novel The Island of the Dead.

Frabotta Bianca - Born in Rome in 1946, teaches at the University of Rome La Sapienza. Published: White Noise (Feltrinelli, 1982); The Viandanze (Mondadori, 1995), Land adjacent (Empire, 1999) The plant bread (Mondadori, 2003), The Eternal Works (San Marco dei Giustiniani, Genova, 2005 ) The new climates (Press, 2007) and also the theatrical trilogy triptych of obedience (Sellerio, 1996). He edited the anthology Women in poetry (Savelli, 1976), Archipelago and melancholy poets of melancholy (Donzelli, 2001). Recently there is a self-portrait prose Quartet masses and voice (Donzelli, 2009).

MANUELA Fraire - Psychoanalyst, lives and works in Rome. As a feminist and as an analyst always takes care of the mother-daughter relationship and the need for a scaling that allows the development of female freedom. On this subject he wrote the essays: The Women of melancholy (think in the unconscious, 2001), Melancholy in figures (in the wound of the eye, 2002); Oblio's father (in the female figures, 2009), and interwoven dialogue with Rossana Rossanda loss (Bollati Hogarth Press, 2008). On these issues has also appeared in the magazines "Memory", "Network," "Lapis", "Sofia".

FLORINDA FUSCO - Born in Bari in 1972, published in various Italian and foreign magazines and anthologies. Guidelines released in 2001 (Ed. Zone). The book of the dark with Madonna (Mazzoli, 2003), illustrated by Louise Alders, won the Dolphin Award. He translated from the English poetry of Argentinean writer Alejandra Pizarnik, winning the national award for translation Bernard Simon (2004). In 2009 he published three works (Oedipus, 2009). E 'output Thérèse (PoliMI, 2010).

GEMMA GAETANI - Born in Rome in 1972, he published a novel in verse, prose and photographs Breakfast at Fiorucci Store (Milan) (Fazio 2005) and the pamphlet In Praise of Treason (Vallecchi 2010).

FRANCESCA PEOPLE - Born in Turin in 1975, lives in Milan. He has published collections of poetry Bimba Urbana (Mazzoli, 2001), True love has no nuts (Prime Meridian, 2004), Love Poems for Girls kamikaze (Purple Press, 2009) and the book of short stories The Heart of the stars ,-date catalog of magicians (Coniglio Editore, 2007). It is' coming soon to Castelvecchi, the novel Fever. Produce works of visual art and art books. Collaborated as lyricist with several musical groups (Dark Room, in the Amen Baustelle). By Anna Lamberti Bocconi in Milan organizes the festival poetry Thursdays in South

DEAR SONIA - Italian literature searches University of Rome La Sapienza. Author of studies on medieval literature and the twentieth century (Carocci editore), managing editor of the Bulletin of Italian and a translator from French (Einaudi, Fazi) has published a collection of poems (The Empire and the Gorgon, Giulio Perrone Editore, 2007 ) Brancati Award finalist, and in the magazine, French and Italian poems ("Poets and Poetry ',' N4728 '). In 2009 the Accademia dei Lincei awarded the prize for literature "AS Novaro.

ANNA MARIA Giancarlo - Born in Rome, live in L'Aquila. He is president of the Cultural Association "Itineraries harmonics, which produces the festival Poetronics. Fondatrice e membro del Premio Internazionale di poesia “Città dell’Aquila” e del Premio Nazionale “Scriveredonna”, collabora con prestigiose riviste e centri culturali. Nel 2007 ha curato la pubblicazione dell’antologia La poesia femminile in Italia (Tracce) e nel 2010, sempre per Tracce, di La parola che ricostruisce – poeti italiani per L’Aquila. Ha pubblicato nove libri di poesia, ultimo In/canto per Eloisa (Tracce, 2008, con prefazione di M. L. Spaziani).

MILLI GRAFFI - Nata a Milano dove vive, ha pubblicato le raccolte di poesie: Mille graffi e venti poesie (introduzione di G. Guglielmi, Geiger 1979); Fragili film (Nuovi Autori, 1987); L'amore Mechanical (Anterem, 1994); embargo voice (Bibliopolis, 2006). He has translated Lewis Carroll and Charles Dickens. He participated, with compositions of sound poetry, the Beaubourg in Paris, the Festival of Cogolin and Milanopoesia. He currently teaches at the Accademia Carrara in Bergamo.

Gubbini GAIA - Doctor Europaeus in Romance Philology, published the book Tactus, Osculum, Factum. The sense of touch and desire in the poetry of the Troubadours (New Culture, 2009). He has participated in various initiatives of poetry. His poems appear in the Register of poetry # 2 "(a c. di G. Frasca, Editions d'if, 2009), in the magazine" wee hours "n ° 11 - 2008 (with a note of A. Cortellessa), and Thin Node in the anthology 5 (Letters, 2008).

JOLANDA Insane - Born in Messina in 1937, lived in Rome since 1968. He has taught in high school and college. He has published several books of poetry: Sciarra bitter blows engineers, groupage, the cloister Medicine carnal eye dormant, the flaw, The trap of indifference. He has translated poems of Sappho, Carmina priapic, De Amore Andrea Chaplain, the Casina of Plautus, and more. All poems have appeared by Garzanti in 2007. In 2009 he published saturated cartuscelle (Perrone) and Fragments of an oratorio in the centenary of the earthquake in Messina (Viennepierre).

Vivian Lamarque - Born in Tesero (Trento) in 1946, poet and translator. Among the awards for his poetry, the Premio Viareggio Opera Prima (1981), the Premio Montale (1993), the Pen Club (1996), Elsa Morante (2005), the Tarquinia Cardarelli (2006). In 2002 his poetry collection was full OSCE Mondadori Poems 1972-2002. In 2007 he published Poems for a cat (Knopf), in 2009 The gentilèssa, pour in Milanese dialect. It 'also the author of fairy tales translated into various languages \u200b\u200b(Rodari Award 1997, Award Andersen 2000). She writes for magazines and worked for twenty years to the Corriere della Sera.

LAMBERTI BOCCONI ANNA - Born in Milan in 1961, poet and writer. He has published collections Red Room (1992, Alternative Press) and A Cras Poetry (1994, 1999, Pulcinoelefante), the wine of that thing (1995, repr. 2004, Campanotto) You always call me (2005, Campanotto), and the poem Song of a fascist girl in my time (2010, Transeuropa); Prose: One on the way (1999, Xenia), The Power of Prayer (2000, Sperling & Kupfer), I was that boy (2005, SEB), Romanians (2009, Alternative Press). As a lyricist, collaborated with Ivano Fossati, Fiorella Mannoia, Ornella Vanoni, Gian Carlo Onorato. E 'editor of the lit-blog Poetry and the Spirit.

LECOMTE MIA - Poet, writer and literary critic, lives in Rome. His publications include the poetry collections unlived Autobiography (2004) and Earth is (2009), and children's books like a fish in the flood (2008) and The Altracittà (2010). Honorary member for Italy of the French "Confluences poétiques, translator, works and critical editorial in the literature of migration. The Italian edition of Le Monde Diplomatique. " Is founder and member of the Society of the poet.

Rosaria Lo Russo - poet, essayist, translator and performer of poetry and music. In poetry books published by Comedia CD (Simon and Schuster, 1997), Penelope (d'if, 2003), The Dictator Love (Feature, 2004) and I and Anne. Confessional poems (of if, 2010). He has published three volumes of American poet Anne Sexton. In 2006 he made a documentary about Amelia Rosselli and performance The dragonfly (now in the fury of the wind against. Variations Amelia Rosselli, Le Lettere, 2007).

LOREDANA Magazzeni - Poet and translator, lives in Bologna. He published The miraculous wound (Archives 900, 2001), Song and other songs for mothers (DARS 2005). It 'appears in many anthologies (Women's Words, words that prize, the female poetic worlds). He has published short stories for children of Anne Sexton and Maxine Kumin and edited together with A. Sirotti, the anthology of contemporary women's poetry in English Cats like angels (Medusa, 2006) and, with F. Mormile, B. Porster AM and Robustelli, the anthology Body. The body in contemporary women's poetry in English (The Voices of the Moon, 2009).

Dacia Maraini - Among the best known and most translated Italian writers, in addition to novels (The Long Life of Marianna Ucria, Bagheria, Dark, Dove), his fame is also due to his poetic (my Women, Eat well, If loving too much), drama (Manifesto from prison, Talk of a prostitute with a customer) and non-fiction. The strong social and political commitment, with specific attention to gender issues, have made it an iconic figure of Italian feminism.

JOAN MARBLE - published: Eye on which everything ride (No Reply, 2009), Fairy dead (edizioni d’if, 2006), il cd audio Sex in Legoland (DeriveApprodi, 2002), Poesie (Studiozeta, 1998). È presente in antologie e riviste (Verso, l’immagine, 2004; “Exit” n.40, 2005; “Sewanee Theological Review”, 2006; Poesie dalla fine del mondo, Derive Approdi; Slam, antologia europea, 2007; “Veus paralleles”, 2007; “il verri”, 2009). Nel 2005 ha vinto il premio per la poesia Antonio Delfini. Dipinge e illustra libri. Vive a Napoli.

FRANCESCA MATTEONI - Nata nel 1975 a Pistoia, ha svolto diversi lavori e ha conseguito un dottorato in storia moderna presso l’Università di Hatfield (UK). È nella redazione del blog literary "Indian Country" and the magazine Roman Metromorfosi. He is interested in many things including folk tales, stories and traditions on animals and all that is north. His publications include: Arctic (Crocetti, 2005), Notes from the park (Wizarts, 2008), Higgiugiuk Lapland, in the X Notebook Italian contemporary poetry (Marcos y Marcos, 2010), Tam Lin and Other Poems (Transeuropa, 2010) .

FIORENZA Morman - Roman poet and translator. Two collections of poetry: The calibrated pins (Brew, 1999, Preface. Lunetta and M. Variations on Lausberg (DARS 2003). Among the awards: Women and Poetry Prize 1995, Arquà Petrarca, Elsa Buiese, The Country Women 2003. His contributions in The Muse, believe it today? A. For, in Poets believe their Muse? (Cadmus, 2006). He edited with L. Magazzeni, B. Porster and Robustelli AM Body: the body in contemporary women's poetry in English (The Voices of the Moon 2009). Italian poetry in the Calendar of 2010 by Alhambra Publishing.

GABRIELLA Musetta - Poet and literary critic, lives in Trieste. Directed "Almanac of Golden Bough", a half of poetry and culture. Organize a summer residence, the International Meetings of poetry. Publications: Creativity in the analysis of poetry, (1994), within writing, (1997), Women of the border. Life company culture in the territory the eastern border (2007); trespassing. Borders steps thresholds in women's writing (2008). In poetry: Differences (2002), My dear (2002), Skew is the time (2005), To Whom It (2007, winner of Senigallia the Velvet Beach); Andjeo Beli (2009).

NICCOLAI GIULIA - Born in Milan (1934) is a writer and poet. Young artists and writers attended the Jamaica bar, by binding to the Group 63. Published by Feltrinelli in 1966 his first novel: The large angle. Translated Gertrude Stein, Virginia Woolf, Dylan Thomas. With Adriano Spatola founded the magazine "Tam Tam". In 1990 he was a Buddhist nun. His publications include: Humpty Dumpty, Greenwich, poem-object (all at Geiger 1969, 1971, 1974), Harry's Bar and Other Poems (1969 to 1980, Feltrinelli, 1981);-Poems to throw Frisbees (Campanotto, 1994); Esoteric billiards (Archinto, 2001) and East (Fond. Beltrametti-Weiss, 2004 ) The two sides (Archinto, 2006).

ROSSELLA OR - Author of theater, actress, poet, has been active very young, starting from the early seventies, as part of the Roman school of avant-garde, working with directors such as beads, Carella, Corsetti, Prosperi. He took part in the form of a voice to the experiences of live contemporary music and electronics, working with musicians such as Antonio Blacks, Alvin Curran, Michiko Hirayama. It 'also the author and performer of performances that have been staged in Italy, Europe and the United States. The protagonist of Roman Summer Matteo Garrone (2000).

CETTO Petrolla - Born in Rome in 1950, currently heads the Library Vallicelliana. In the seventies and eighties, he attended the workshop poem by Elio Pagliarani. Publications: Sonnets and starlings (Tam Tam, 1984, Preface. A. Rosselli), Home-made pasta (the footprints of birds, 2001), Poems and no (Manni, 2001), and Otto Peppina Fate Romanian (Ogopoco, 2004 and 2006), What if volume status of '? (The footprints of birds, 2009, pref. Lunetta Mario) and the novel without a permit (Alternative Press, 2007, pref.Walter Pedullà). To be published by Manni The jump of rope.

GILDA POLICASTRO - A scholar of Italian literature, poet, writer. He has published in more places: catabasi Leopardi and parody to the twentieth century (Giardini, 2005) and Sanguinetti (Palumbo publisher, 2009). Collaborate to periodicals and newspapers. Prize "Antonio Delfini" for poetry in 2009 and in the same year, the 'Mazzacurati-Russian. " In 2010 he published the anthology Seasons and others in the Tenth notebook poetry Marcos y Marcos, and the prose poem The happy family (editions of if). Recently he released his first novel, The drug (Fandango, 2010).

BRENDA PORSTER - Born in Philadelphia (USA), taught English in Italian schools and universities. He writes poetry and in inglese che in italiano: suoi testi sono pubblicati su siti, riviste e antologie in Italia e all’estero. E’ traduttrice per il sito letterario El Ghibli e fa parte della Compagnia delle poete fondata da Mia Lecomte. Tra le sue pubblicazioni: Furori (Avagliano, 2003, a c. di I. Landolfi), Genesi (Gazebo, 2005, a c. di E. Biagini) e come curatrice/traduttrice (con L. Magazzeni, F. Mormile e A.Robustelli): Corporea: la poesia femminile contemporanea di lingua inglese (Le voci della luna, 2009).

JONIDA PRIFTI - Nata nel 1982 a Orizaj - Berat (Albania), sI è laureata all’Università La Sapienza di Roma. A partire dal 2004, suoi versi sono apparsi in riviste e antologie (Parole in fuga, “Reti di Dedalus", "Attimpuri"). Insieme a C. Budetta ha pubblicato la plaquette Cengel (Ogopogo, 2008). Ha partecipato a diversi festival di poesia. A breve saranno pubblicate sue poesie nella rivista "Poesia" (Sezione Cantieri di Poesia, a cura di Maria Grazia Calandrone).

LAURA PUGNO - Poetessa e scrittrice, ha pubblicato i romanzi Quando verrai (Minimum Fax, 2009) e Sirene (Einaudi, 2007, premio Libro del Mare 2008 e premio Dedalus 2009); la raccolta di racconti Sleepwalking (Sironi, 2002); due libri di poesie, Il colore oro (Le Lettere, 2007) e Tennis (NEM, 2002); la plaquette gilgames’ (Transeuropa, 2009) e i testi teatrali di DNAct (Zona, 2008). È in uscita la nuova raccolta poetica Mind Landscape (Perrone, countless series, 2010).

MARIA PIA Quintavalle - He lives in Milan. His publications include: Singing simple (Tam Tam, 1984), Letters youth (Campanotto, 1990), singing (Campanotto, 1991), The Moradas (Empire, 1996), Strangers (song) (Mann 2000, note A. Zanzotto ), Corpus solum (Stock 900, 2002), Album weekdays (Archinto 2005), Selected Poems (2008 Gradiva, NY), China (Effigy 2010). He edited the anthology Women in poetry (Presid. Com Milan 1985-1988). Awards Tropea, Citadel, Alghero Female Nosside, Borgomanero, Mountain City, San Vito, Contini. Cinquina Viareggio 2000. Translated into anthologies. He teaches at the University University of Milan.

MARILENA MAKE - Born in Trapani in 1976, lives in Rome, where he teaches, studies and results. He has written and published in journal and volume a number of essays on Giorgio Bassani, Primo Levi, Annamaria Ortese Jolanda Insana and Amelia Rosselli. Collaborate in 'The Index of the books of the month. He has taught courses and workshops in contemporary Italian literature at the Faculty of Humanities at University of Palermo and Rome 3. In 2009 was among the winners of the "Antonio Dolphins." Gaff was released in 2010 for a monograph: Bassani, Giorgio. An Italian jew.

Jacqueline Risset - Among the volumes of poetry published in France, Sept passages de la vie d'une femme (Flammarion 1986), Les Instants (Farrago 2000); in Italia Amor di lontano (Einaudi 1993), Potenze del sonno (Nottetempo 2009); Antologia1986-2009 (Einaudi 2010). Tra i saggi in Italia, Dante. Una vita (Rizzoli 1996), Il silenzio delle Sirene (Donzelli 2006). Ha tradotto in francese la Divina Commedia (Flammarion 1985-90) e Il Principe di Machiavelli (Actes Sud 2000), testi di Zanzotto e del gruppo 63; e in italiano, per Einaudi, i poeti di Tel Quel (1971), Ph. Sollers (1972), Fr. Ponge (1978). E’ stata membro del gruppo di avanguardia Tel Quel. E’ Presidente del Centro di Studi Italo-francesi dell’Universita di Roma III.

LIDIA RIVIELLO - Nata a Roma, dove vive e lavora, She is the author of poetry and prose. He has published stories in prose The infinitive of the verb to go (ARLEM, 2002, pref. Edith Bruck) and poetry in the Halls of passage (1998, Noubs, pref. Elio Pecora), rum and sparkling water (Perrone, 2003, known Carla Vasio) and Neon 80 (Zona, 2008, note Edoardo Sanguineti, Antonio Delfini prize). Translated into English, French, Swedish, Arabic, Slovenian and Japanese. She has curated exhibitions of poetry, including Mediterranean - Intercontinental Festival of the Arts. Author of radio programs (and radiotre RadioDue) and television (RedTv and LA7).

ANNA MARIA Robustelli - Poet and translator, was president of the Women and Poetry. E ' this in various articles and anthologies, including the 2009 National Poetry Prize Anthology Papers Lìnfera (Ed. Culture Project). As late as 2009 was released Body, the body in contemporary women's poetry in English (The Voices of the Moon) treated with L. Magazzeni, F. Morman and B. Porster. On the women's English-language poetry has recently appeared in the article Every step toward the origin is also an approach to silence ("Street Customs", No. 93, June 2010).

SILVIA SALVAGNINI - Born in Venice in 1982, writes, paints, plays the piano and likes to read his lyrics aloud. It 'been a bookseller, is now chief editor. It is part of the group of self- auteditori, con cui ha pubblicato i due libri di poesie e disegni Silenzio cileno (2004), I baci ai muri (2006). Con Laelefantevolante ha vinto il Premio Antonio Delfini 2010. Ha pubblicato inoltre nelle antologie 9 poeti esordienti (edizionidn, 2003) e il volo del calabrone (ammutinati, 2008). Ha partecipato a numerosi festival di poesia e slam poetry.

PAOLA SANSONE - Nata a Genova nel 1961, lavora in ospedale come tecnico di laboratorio. Poesie pubblicate nel libro Comicamente parlando (ed. CLAB), nelle antologie Under25. Giovani Blues (ed. Costa&Nolan), Ragazze non fate versi e Pink Ink (ed. Zona). E’ in corso di pubblicazione Raccolta differenziata (ed. Ibiskos). Finalista al Premio per cantautrici Bianca D'Aponte 2007 with the song telling stories. E 'of the play writer and performer of monologues and songs Medical Record: instruction manual.

Lisabetta SERRA - Poet, lives and works in Modena. Published: Poems (Modena 1983); O Syder, or stars (Modena 1986); A property go (Ancona 1989), Hair and Other Stories (Pescara 1989), the poem Stories Viano (MobyDick, Faenza 1999), From a memory game, with five etchings by the artist Andreina Bertelli (Printer Roberto Gatti, Modena 1999); body inhuman (ed. Eidos, Mirano 2004), Return (ed. Moretti Vitali, Bergamo 2005). Founder and editor of the magazine "The immediate surroundings, from 1989 he worked with the group Women's Poetry of Modena.

Ribka SIBHATU - Born in Asmara, Eritrea, in 1962, very young he had to leave his homeland. He lived six years in Ethiopia, ten years in France. Lived in Rome since 1996. A graduate in modern languages \u200b\u200band literature in 1996 at the University of Rome La Sapienza. In 2003 the same University has concluded a PhD in communication sciences. Published the bilingual Aulus. Song-poem from Eritrea, first edition 1993. In 2004 he published The citizen who is not, immigration in the Italian media "at the publishing house Edup. From 1993 he worked as a counselor, lecturer, and mediator between cultures.

Luigi Sorrentino - Poet, actress of the Theatre Workshop of Vittorio Gassman, a professional journalist, lives and works in Rome to Rai. His collections of poetry, there is a father (Manni, 2003) The Cathedral (The boy innocuous, 2008), The axis of the heart (Almanac Mirror Mondadori, 2008), The birth, only the birth (Mann, 2009) have won many major awards, including prizes and Laurentum Luciana Notari. Caring for the blog site Rainews24 Poetry (http://poesia.blog.rainews24.it/).

Maria Luisa Spaziani - Born in Turin in 1922, poet and historian of French literature, a discipline that has taught at the University of Messina, Maria Luisa Spaziani from the foundation (1981) was president of the International Centre and Eugenio Montale Montale Prize. Mondadori appeared in the Mirror: Utilities Memory (1966), The Mist (1970), Geometry of disorder (1981, Premio Viareggio), fast Nettles (1996), Crossing the Oasis (2002) The moon is already high (2006). Meridian will be released in 2011 the total of his poems.

Tarozzi WHITE - Born in Bologna in 1941, lives in Venice and teaches Anglo-American Literature at the University of Verona. He has published numerous essays and poetic translations (E. Dickinson, E. Bishop., D. Levertov, R. Wilbur, AE Housman, etc..), And is author of some collections of poetry: No one wins the lion (Arsenal, 1988); The buranella (Marsilio, 1997), I too lived in Arcadia (Supernova, 1997) Before and After (Via Dogana, 2000), Objects of Memory (Querini Stampalia , 2000), The house of paper (Stampalia Querini, 2002), The Living Theatre (Scheiwiller, 2007).

IDA BEAMS - writes poetry, prose and lyrics as characters. His poems "written to be called" reflect its unique position expressed in the essay "The theoretical aspect of oral poetry (2000): text that combines poetry and thought in reflection on the first language, or language spoken in the bud" in the mysterious relationship with the world. He stages his works with its own director. Interviews and readings in Fahrenheit archive Radio Three, Radio Three Suite. Last Post: Neo / Alcestis, Moretti & Vitali, 2009.

VALENTE MARIA - Born in Capua in 1978, Trieste in 2005 won the first poetry slam. In 2007, Perugia, makes the installation of your text Blu Staff. Here are several slam: Siena, Castellammare di Stabia, Bolzano. In 2009, his performance has to 'Absolute Poetry Festival of Young Monfalcone, under the artistic direction of Lello Voce. Of his lyrics, sparse and often revised, final only to discard it at the time, the publication remains, for now, remote hypothesis. E 'co-editor of www.absolutepoetry.org

CARLA VASIO - Born in Venice, lived in Rome. He participated in neoavanguardia in Italy as part of the Group 63 for literature, has followed the current innovators of abstract art since Forma1, participated in the activity since the founding of New Consonance. Among his publications: Laguna (Einaudi); Like the Moon Behind the Clouds (Einaudi); shameless Ballads (The footprints of birds), Invisible (Empire); Blasone body (Empire), Labyrinths of the Sea (Palomar), the largest anamorphosis of the world (Palomar).

SARA Ventron - Born in 1974 in Rome, where he lives, has published Salome (No Reply, 2005) and The Gasometer (Letters, 2006, Naples Prize 2007). His stories have presenti in molte antologie (Per segnare bisogna tirare in porta. Storie di calcio e calciatori, Ed. Spartaco, 2010; Sono come tu mi vuoi, Laterza, 2009; A occhi aperti, Mondadori, 2008; Scrittori in curva, Marotta&Cafiero, 2009). Le sue poesie sono tradotte in inglese, tedesco, spagnolo, croato e albanese. Ha scritto sceneggiati e programmi per Rai Radio 2 e Rai Radio 3. Collabora con “l’Unità”.

SARA ZANGHÍ - Nata in Sicilia, vive a Roma. Suoi libri di poesia: Fort-da (Il Lavoro Editoriale, 1986)Il circo smantellato (Sciascia, 1987); Una sospettata inclinazione, (Empirìa, 1995 - Premio poesia Dario Bellezza)- 2^ ed. con l’aggiunta di una nuova sezione, 2002). Pubblicazioni in prosa: Io e loro (Empirìa, 1992); La cima della stella, (Empirìa,1998/2006); Nebris (Empirìa, 2003,04,10; Premio Amelia Rosselli); Matilde, come una leggenda (L.Tufani, 2008). È’ presente in riviste e antologie. Varie le traduzioni dallo spagnolo.